A Christmas hymn favorite for many is “Joy to the World.” Across the decades, churches worldwide have enthusiastically joined in as, “heaven and nature sing.”
What you may not know, however, is that the words to this hymn, found in The United Methodist Hymnal alongside “Hark, the Herald Angels Sing” and “Away in a Manger,” are not about Christmas at all.
Lauded as the most published Christmas carol of the 20th century, the current rendition of the 300-year-old song comes to us from a popular 18th century hymn writer and a 19th century music teacher.
The lyrics to “Joy to the World,” first appeared in a book of poetry by English minister and writer Isaac Watts titled “The Psalms of David: Imitated in the language of the New Testament, and applied to the Christian state and worship,” published in 1719.
Each poem in the long-titled volume is based on a psalm. “Joy to the World” was inspired by Psalm 98, specifically verses 4-9, which scholars say allude to the Second Coming of Christ.
Give a gift of $25 or more to The Roys Report this month, and you will receive a copy of “I Can’t Hear God Anymore: Life in A Dallas Cult” by Wendy Duncan. To donate, click here.
Watts is credited with writing the lyrics to more than 750 hymns, including the classics “Our God, Our Help in Ages Past” and “When I Survey the Wondrous Cross.” He also is said to have inspired Charles Wesley, according to historians. Wesley wrote more than 6,000 hymns during his life.
From poem to song
More than 100 years later, an American composer named Lowell Mason was responsible for turning a poem about Jesus coming to Earth, not as a baby, but for the Second Coming, into a Christmas musical classic.
Mason was a talented musician and teacher who had the distinction of being the first music teacher in an American school, a precedent that set the stage for introducing music curriculum into the U.S. public schools. He also composed more than 1,600 hymn tunes. And when he discovered Watts’ poem, “Joy to the World,” he set its words to music.
Mason was influenced by composers such as Handel, Haydn, Mozart and Beethoven, often using their works as the basis for his own compositions. Such is the case with “Joy to the World.” The familiar melody that we sing today is also known as “Antioch,” which Mason named for the choruses borrowed from Handel’s “Messiah” (“Lift Up Your Head” and “Comfort Ye”).
In 1839, Mason published, “The Modern Psalmist: A Collection of Church Music…,” a volume of hymns that included the version of “Joy to the World” we sing today. It is believed the “The Modern Psalmist” was published near Christmas, which jumpstarted the popularity of “Joy to the World” as a holiday favorite. It didn’t seem to matter to those singing the infectious, uplifting tune that the words weren’t about Jesus coming to earth as a baby.
No doubt, “Joy to the World’s” path to stardom was circuitous. Three centuries later, however, churches worldwide continue to “repeat the sounding joy” each Christmas.
This article has been reprinted with permission from United Methodist Communications/UMC.org.
Crystal Caviness works as senior content development specialist at United Methodist Communications.
The Roys Report seeks to foster thoughtful and respectful dialogue. Toward that end, the site requires that people use their full name when commenting. Also, any comments with profanity, name-calling, and/or a nasty tone will be deleted.
Comments are limited to 300 words.